studiopepperchilee

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	<title>studiopepperchilee</title>
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	<pubDate>Fri, 19 Dec 2025 11:38:45 +0000</pubDate>
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		<title>home</title>
				
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		<pubDate>Thu, 07 Jan 2021 17:14:10 +0000</pubDate>

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		<title>Workshops</title>
				
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︎
I facilitate workshops that explore how play, making, and collective experimentation can deepen our relationship with place, public space, and one another. Through accessible, hands-on activities, participants are invited to create, observe, and reimagine their surroundings, becoming active contributors to the development of artworks and shared experiences.
If you would like to discuss a workshop, public programme, or commission, feel free to get in touch with me :)
	

	2026Solstice Festival Art Programme: Kite-Making Workshop
Solstice Festival
Ruka, Finland
	
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As a complementary public programme to our installation Tuulikki, Onni Aho and I led a kite-making workshop, inviting festival visitors and local participants to create small wind-responsive objects inspired by motifs from Finnish midsummer folklore. 

Participants were invited to design and assemble simple kites or flag-like forms using off-cuts and surplus materials from the main installation, extending the life cycle of the project's textiles and structural components.The programme is supported by Oulu 2026 – European Capital of Culture.
	

	2026Fabric Sculptural Playground #2
A.P.T Gallery
London, UK

	
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Created in response with Nicolaas Van de Lande’s exhibition “Not Scary, But Soft”, participants had the freedom to tie, draw, fold, stack, cut and rearrange materials to build a soft installation that shifted through collective decisions and spontaneous gestures.Reflecting in my ongoing exploration of how built systems and social structures shape behaviour, Fabric Sculptural Playground invited participants to reflect on how environments emerge through shared action. What changes when we move from observing to making? How does collaboration reshape our sense of space and possibility?This workshop was part of the exhibition public programme and was curated by Rosalita Baldassin.
	

	2025London Festival of Architecture: Tiles-Making Workshop
Fitzrovia Community Centre
London, UK


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As part of winning the Fitz and Sits&#38;nbsp;programme, architect Asia Zwierzchowska and I collaborated to design and build&#38;nbsp;Bare Things, one of nine temporary public benches installed across Fitzrovia for the London Festival of Architecture 2025. 

As part of the project, we hosted two community workshops with Fitzrovia Community Centre, inviting local participants to respond to a passage from Virginia Woolf's The Waves through the making of patterned concrete tiles. 
Together, we explored themes of reflection, belonging, and the shared experience of public space, using the workshops as an opportunity to shape the bench collectively. 

Each handmade tile became a permanent part of the bench's footings, embedding the voices, gestures, and conversations of the local community into the final installation.

	
	2024KCW Art Week Series: Fabric Sculptural Playground
Royal Society of Sculptors

London, UK


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Using leftover materials, this collaborative workshop invites children and families to engage creatively while promoting community participation. 
Over a 4-hour drop-in session, participants will work together to build a large fabric sheet using off-cut fabric and other materials provided. A designated area with a large canvas or surface will be set up, allowing participants to join at any time to contribute. 

Facilitators will assist with threading and shaping the fabric safely. Once the fabric sheet is established, off-cut rope, cord, and string will be introduced as materials to create texture and structure. 

Participants will receive guidance on shaping techniques and safety measures and are encouraged to experiment with patterns and designs, drawing inspiration from Sarah Ryder’s work to foster creativity and community engagement. 

This workshop is supported by the Royal Society of Sculptors and is part of KCW Art Week 2024.
	

	2023Play Interact Explore: Workshop with Brighton &#38;amp; Hove foster familiesTowner GalleryEastbourne, UK

	
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&#60;img width="4416" height="2944" width_o="4416" height_o="2944" data-src="https://freight.cargo.site/t/original/i/ffce3f46279d099b05d913d5647a40a433d343369b4a6e2a626b64bc626db642/DSCF2997.JPG" data-mid="223987090" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/ffce3f46279d099b05d913d5647a40a433d343369b4a6e2a626b64bc626db642/DSCF2997.JPG" /&#62;

Wobble-Wobble: Balancing Sculpture Workshop with Brighton &#38;amp; Hove Foster Families
This workshop aimed to explore stability, gravity, and symmetry through balancing everyday objects and ordinary materials, part of the Play Interact Explore activities, supported by Leap Then Look.

https://townereastbourne.org.uk/whats-on/exhibitions/leap-then-look-play-interact-explore 

	
	2022
A Better Playground
Peckham LevelsLondon, UK
&#60;img width="3508" height="3508" width_o="3508" height_o="3508" data-src="https://freight.cargo.site/t/original/i/3862773055237006f9cf36990d1d29ba4a72b301fca265fe3c5b158068270537/LDF-workshop-poster.jpg" data-mid="224009943" border="0"  src="https://freight.cargo.site/w/1000/i/3862773055237006f9cf36990d1d29ba4a72b301fca265fe3c5b158068270537/LDF-workshop-poster.jpg" /&#62;
	
	
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&#60;img width="3620" height="2246" width_o="3620" height_o="2246" data-src="https://freight.cargo.site/t/original/i/12f7a15fca070163518f8945b210ca7f511a0385d76ecfca2b83d973e94ae31f/DSCF2553.jpg" data-mid="224009947" border="0"  src="https://freight.cargo.site/w/1000/i/12f7a15fca070163518f8945b210ca7f511a0385d76ecfca2b83d973e94ae31f/DSCF2553.jpg" /&#62;

Participating LDF with Goya Design studio and ran a pilot workshop with children and parents on how to make a better playground at Peckham Levels.
In addition to the LDF, I also repainted the mural of the Playground at Peckham Levels.
	

	2022

Animating Cunard: An Introduction To Stop-Motion

Queen Mary 2
At Sea

	
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&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/e06c7deba7fa8945ebf120fd4d2809b85a2e0090fa64b672bb9fa5d297a4570b/IMG_9976.JPG" data-mid="224010060" border="0"  src="https://freight.cargo.site/w/1000/i/e06c7deba7fa8945ebf120fd4d2809b85a2e0090fa64b672bb9fa5d297a4570b/IMG_9976.JPG" /&#62;

I was invited as a guest artist to travel with Queen Mary 2 from New York to Southampton.

During this trip, I delivered an artist talk about my commissioned work to the audience, as well as running two interactive stop motion workshops with the guests on board.

Commissioned by DoubleDecker for Cunard.


	2022

Stuffed: Dumpling Workshop

Peckham Levels
London, UK

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&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/d953ec68e579a9469d76dc1197cc560764fc76c6786efdb7d8e471cc16259dda/IMG_5293.jpg" data-mid="224010092" border="0"  src="https://freight.cargo.site/w/1000/i/d953ec68e579a9469d76dc1197cc560764fc76c6786efdb7d8e471cc16259dda/IMG_5293.jpg" /&#62;

“STUFFED”, a dumpling workshop I facilitated at Peckham Levels for the residents and the local communities. Using dumpling making as a way to look at how culture and daily infrastructure shapes the way we live, move and react.

In this three hour workshop, I presented a series of interactive activities, from the discussion around the Impact of culture on food-related behaviour, to getting our hands on dumpling making, and of course, stuffing ourselves with all the delicious dumplings!

	
	2021
Looking For The Eye Candy

SESAM Ukraine
Slavutych, Ukraine
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&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/8353c33b667540f0fb37d5f3d878895c047e6dcb199fa7f22eae8b5976268cd5/WhatsApp-Image-2021-08-30-at-18.22.06-2.jpeg" data-mid="224010117" border="0"  src="https://freight.cargo.site/w/1000/i/8353c33b667540f0fb37d5f3d878895c047e6dcb199fa7f22eae8b5976268cd5/WhatsApp-Image-2021-08-30-at-18.22.06-2.jpeg" /&#62;
&#60;img width="1818" height="1228" width_o="1818" height_o="1228" data-src="https://freight.cargo.site/t/original/i/19f9605809c380365e64c979f7a37eb51db8a640590e296d8b1e47faaf43f2d2/60112FAF-42C1-4899-B132-96DAE6F9636A.JPG" data-mid="224010114" border="0"  src="https://freight.cargo.site/w/1000/i/19f9605809c380365e64c979f7a37eb51db8a640590e296d8b1e47faaf43f2d2/60112FAF-42C1-4899-B132-96DAE6F9636A.JPG" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/e792ae13def9b886922e6c433e5be06e6fa8447dd27c36487cdc130d4059e46a/WhatsApp-Image-2021-08-30-at-18.22.06.jpeg" data-mid="224010118" border="0"  src="https://freight.cargo.site/w/1000/i/e792ae13def9b886922e6c433e5be06e6fa8447dd27c36487cdc130d4059e46a/WhatsApp-Image-2021-08-30-at-18.22.06.jpeg" /&#62;
&#60;img width="1526" height="1018" width_o="1526" height_o="1018" data-src="https://freight.cargo.site/t/original/i/3917fffeaeec3e8d7fdba045a778c39d8883236396e9d07793ee978e812dec8a/Screenshot-2021-12-07-at-13.12.26.png" data-mid="224010110" border="0"  src="https://freight.cargo.site/w/1000/i/3917fffeaeec3e8d7fdba045a778c39d8883236396e9d07793ee978e812dec8a/Screenshot-2021-12-07-at-13.12.26.png" /&#62;
&#60;img width="1524" height="1016" width_o="1524" height_o="1016" data-src="https://freight.cargo.site/t/original/i/e8b3ce218a7e3c338c107adcd893f1ce5cc059eb33df6b838397b00a1766d8d5/Screenshot-2021-12-07-at-13.12.45.png" data-mid="224010109" border="0"  src="https://freight.cargo.site/w/1000/i/e8b3ce218a7e3c338c107adcd893f1ce5cc059eb33df6b838397b00a1766d8d5/Screenshot-2021-12-07-at-13.12.45.png" /&#62;

In SESAM 2021 Poliklinika, each residency consists of six WORKSHOPS, run by architectural students and young professionals under the umbrella theme ‘Poliklinika’ (polyclinic in English), focusing on healthcare and its relation to architecture. The workshops cover a wide spectrum of practices in architecture, from design and construction to theoretic research and conceptual art.


In the workshop I proposed to this residency, Looking For The Eye Candy, my idea was to make the act of waiting into a healing process, through the serendipitous discoveries inside the waiting room within the Poliklinika. By adding interactive elements and activities into the space, users are invited to explore their environment, using playfulness as a means of distraction to dispel uncertain feelings during waiting periods.


We have three selected spaces at the Poliklinika, which are Pipe Room, Black and White Room, and SunRoom. Each space is developed along a ‘quote’ that relates to our ‘senses’, using the founding objects in the poliklinika, we designed a series of interactive elements and activities that can "guide" the audience to discover all those interesting features within the space through engaging with their senses.
These speculative installations have involved a variety of creative exercises, such as colour and shape studies of the city, playground visiting, sensory exercise, and of course, a lot of FUN :D.


</description>
		
	</item>
		
		
	<item>
		<title>Info</title>
				
		<link>https://pepperchilee.co.uk/Info-1</link>

		<pubDate>Thu, 10 Sep 2020 10:53:02 +0000</pubDate>

		<dc:creator>studiopepperchilee</dc:creator>

		<guid isPermaLink="true">https://pepperchilee.co.uk/Info-1</guid>

		<description>
	
Pei-Chi Lee (b.1991) 
Originally from Taiwan and now living and working in the UK, my practice explores how cultural, social, and infrastructural systems shape human behavior, perception, and movement. My research particularly focuses on geopolitics, public space, and everyday rules that influence our sense of control over our surroundings, and how these forces are negotiated through ordinary actions.
&#38;nbsp;
&#60;img width="501" height="205" width_o="501" height_o="205" data-src="https://freight.cargo.site/t/original/i/167d7d7bfdbfaa13d00bfb478ae91312d991c0ebddf86854a197eebb85878357/skateboard.png" data-mid="94273500" border="0" data-scale="11" src="https://freight.cargo.site/w/501/i/167d7d7bfdbfaa13d00bfb478ae91312d991c0ebddf86854a197eebb85878357/skateboard.png" /&#62;Working primarily through site-specific installations, my practice unfolds through participation, collaboration, and improvisation. Rather than producing fixed outcomes, I generate research through collective encounter and embodied experience, allowing different perceptions, rhythms, and intentions to co-exist. Viewers are often invited to step beyond familiar modes of looking and into playful, interconnected ways of being that extend beyond traditional gallery spaces.

&#60;img width="560" height="643" width_o="560" height_o="643" data-src="https://freight.cargo.site/t/original/i/62c9845f0971dd366adcd9f2bcb9e91297e1f9614975a58a9db5c309f6b03186/angel.png" data-mid="94273497" border="0"  src="https://freight.cargo.site/w/560/i/62c9845f0971dd366adcd9f2bcb9e91297e1f9614975a58a9db5c309f6b03186/angel.png" /&#62;

The relationship between body and space, architecture and movement, and instruction and performative action is central to my methodology. I frequently work with simple rule-based systems - responsive structures, guided movements, or sets of instructions that can be followed, ignored, or misread. Through these systems, participants activate the work and reveal how rules operate both as generative tools and as constraints.  Across my practice, playfulness, abstraction, patterns, and vibrant color serve as strategies to engage the senses and to explore how environments shape us, and how our understanding with our bodies shape them beyond the limits of language. 
I am drawn to rules embedded in customs, games, and rituals that appear neutral yet quietly organize power and bodily conduct. Through ambiguity, play, and movement, my work seeks not to break these structures, but to circle them until new possibilities begin to emerge.


&#60;img width="984" height="845" width_o="984" height_o="845" data-src="https://freight.cargo.site/t/original/i/65f76146acf59ba3a5c5bfda46ca2aaa6e14fd117ed068ba6f370054599636fc/star.png" data-mid="109426372" border="0" data-scale="12" src="https://freight.cargo.site/w/984/i/65f76146acf59ba3a5c5bfda46ca2aaa6e14fd117ed068ba6f370054599636fc/star.png" /&#62;


	︎ studiopepperchilee@gmail.com

︎ pepperchilee 


&#60;img width="430" height="416" width_o="430" height_o="416" data-src="https://freight.cargo.site/t/original/i/782286bcaf463ac7f5190b2b25f71af643b0c667689f1bba54918d192a2069c8/sun.png" data-mid="94273403" border="0"  src="https://freight.cargo.site/w/430/i/782286bcaf463ac7f5190b2b25f71af643b0c667689f1bba54918d192a2069c8/sun.png" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Projects</title>
				
		<link>https://pepperchilee.co.uk/Projects</link>

		<pubDate>Sat, 02 Jan 2021 14:17:32 +0000</pubDate>

		<dc:creator>studiopepperchilee</dc:creator>

		<guid isPermaLink="true">https://pepperchilee.co.uk/Projects</guid>

		<description>
	

Everything Should Remain Possible

&#60;img width="1198" height="1508" width_o="1198" height_o="1508" data-src="https://freight.cargo.site/t/original/i/c57e5dbc2ff1cc2a4d520cb19b933d453cad277d16a8568539707b506788e030/Screenshot-2025-11-11-at-16.50.31.png" data-mid="242249267" border="0"  src="https://freight.cargo.site/w/1000/i/c57e5dbc2ff1cc2a4d520cb19b933d453cad277d16a8568539707b506788e030/Screenshot-2025-11-11-at-16.50.31.png" /&#62;

Bare Things
 &#60;img width="1280" height="1024" width_o="1280" height_o="1024" data-src="https://freight.cargo.site/t/original/i/41b1ef4176989f3b24a5b13ee8d093d757f963eb402a7e9d1950cd62f92803c0/Untitled-design-3.png" data-mid="240603583" border="0"  src="https://freight.cargo.site/w/1000/i/41b1ef4176989f3b24a5b13ee8d093d757f963eb402a7e9d1950cd62f92803c0/Untitled-design-3.png" /&#62;A Seat On Circular Road

&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/e05b794793b5f7b5a1b405dd35763af0d9b5b0468a240e04d5e12dd1f214728e/Untitled-1.png" data-mid="224294217" border="0"  src="https://freight.cargo.site/w/1000/i/e05b794793b5f7b5a1b405dd35763af0d9b5b0468a240e04d5e12dd1f214728e/Untitled-1.png" /&#62;

A Day In July, Followed By A Magpie, 
A Blue Sky, And A Mocking Eye

&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/a6892839d3772a771b875c663fe96988848644e03df02cdba46ae8c764d7f172/a.png" data-mid="224294379" border="0"  src="https://freight.cargo.site/w/1000/i/a6892839d3772a771b875c663fe96988848644e03df02cdba46ae8c764d7f172/a.png" /&#62;

Aggiungi Un Posto A Tavola
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/8f9e0dde77ffea49dd4f9aa4461078194f18bca0a77be38524686c56024d4a3f/tableclothes.png" data-mid="224294654" border="0"  src="https://freight.cargo.site/w/1000/i/8f9e0dde77ffea49dd4f9aa4461078194f18bca0a77be38524686c56024d4a3f/tableclothes.png" /&#62;


Where The Lost Things Go
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/d2858dd4a8e95bbc458553ca280c0497dd9df4d88098a4e1127ec2ebcf67cb48/w.png" data-mid="224296463" border="0"  src="https://freight.cargo.site/w/1000/i/d2858dd4a8e95bbc458553ca280c0497dd9df4d88098a4e1127ec2ebcf67cb48/w.png" /&#62;


The Brilliant Shadow Of Canopy&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/3752a1ec30ede09f76f462d6966db65cdadd5678b6ffe7b1067da8901bf4563d/can.png" data-mid="224295335" border="0"  src="https://freight.cargo.site/w/1000/i/3752a1ec30ede09f76f462d6966db65cdadd5678b6ffe7b1067da8901bf4563d/can.png" /&#62;


Procrastination
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/455a48d5bc4747af5517342a022c48f2755332f89a5eae74bcf8ef4e9bde9ab7/p.png" data-mid="224295813" border="0"  src="https://freight.cargo.site/w/1000/i/455a48d5bc4747af5517342a022c48f2755332f89a5eae74bcf8ef4e9bde9ab7/p.png" /&#62;


Real-Time War Rug

Looking For The Eye Candy

&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/dd58ff64002e9ad0030178a6375fba514dbb3542207ae1b21ae0fb4d790addd4/eye.png" data-mid="224295194" border="0"  src="https://freight.cargo.site/w/1000/i/dd58ff64002e9ad0030178a6375fba514dbb3542207ae1b21ae0fb4d790addd4/eye.png" /&#62;


Leaf Becomes Flower When it Loves

&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/8f9ebde156952fce65331859ae189ee89b4520d21b6164fc39b0a0dd4d861bf4/L.png" data-mid="224998504" border="0"  src="https://freight.cargo.site/w/1000/i/8f9ebde156952fce65331859ae189ee89b4520d21b6164fc39b0a0dd4d861bf4/L.png" /&#62;


Tell Me Your Secrets
And I Will Tell You Mine
&#60;img width="3508" height="2480" width_o="3508" height_o="2480" data-src="https://freight.cargo.site/t/original/i/b1a6d7cee4d6348b8dd81774fccf965ac9a76a247f1a39559967daf368737652/t.png" data-mid="224576756" border="0"  src="https://freight.cargo.site/w/1000/i/b1a6d7cee4d6348b8dd81774fccf965ac9a76a247f1a39559967daf368737652/t.png" /&#62;


&#60;img width="155" height="504" width_o="155" height_o="504" data-src="https://freight.cargo.site/t/original/i/06b1764462cab96197046ac69e3a21887c283dff9a0cef754aadc6a7b52d390c/fire.png" data-mid="224204359" border="0" data-scale="3" src="https://freight.cargo.site/w/155/i/06b1764462cab96197046ac69e3a21887c283dff9a0cef754aadc6a7b52d390c/fire.png" /&#62;


 </description>
		
	</item>
		
		
	<item>
		<title>Everything Should Remain Possible</title>
				
		<link>https://pepperchilee.co.uk/Everything-Should-Remain-Possible-1</link>

		<pubDate>Fri, 19 Dec 2025 11:38:45 +0000</pubDate>

		<dc:creator>studiopepperchilee</dc:creator>

		<guid isPermaLink="true">https://pepperchilee.co.uk/Everything-Should-Remain-Possible-1</guid>

		<description>
	
	
	&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/3e1b7ab41411c8e7742d1f2977627985c6725aa4c41a12d8d8edfd281a574fe3/clip1-ezgif.com-video-to-gif-converter.gif" data-mid="242071527" border="0"  src="https://freight.cargo.site/w/800/i/3e1b7ab41411c8e7742d1f2977627985c6725aa4c41a12d8d8edfd281a574fe3/clip1-ezgif.com-video-to-gif-converter.gif" /&#62;
clip of the film

	
discipline

Video, installation
material

Video
dimension

5 mins
location
Newbury UK
year
2025
supported &#38;nbsp;and sponsored by

&#60;img width="222" height="227" width_o="222" height_o="227" data-src="https://freight.cargo.site/t/original/i/cdcc9bfee5a0d1247c79c8edfbd0ed5a4b902b6a700414e2279b5818d13e1795/images.png" data-mid="242071120" border="0"  src="https://freight.cargo.site/w/222/i/cdcc9bfee5a0d1247c79c8edfbd0ed5a4b902b6a700414e2279b5818d13e1795/images.png" /&#62;

&#60;img width="2084" height="800" width_o="2084" height_o="800" data-src="https://freight.cargo.site/t/original/i/ac735c04993118047c7e4bcdd7a24786115781cb10927ce66adc94bf468be2ec/Jerwood-Foundation.jpg" data-mid="242071121" border="0"  src="https://freight.cargo.site/w/1000/i/ac735c04993118047c7e4bcdd7a24786115781cb10927ce66adc94bf468be2ec/Jerwood-Foundation.jpg" /&#62;


	Everything Should Remain Possible

This work presents a collection of work-in-progress video clips from Everything Should Remain Possible, an ongoing research on exploring how our living spaces can be reimagined through interaction, awareness, and play. 
The project takes essential aspects of life, Food, Apparel, Accommodation, Transportation, Education, and Entertainment, as symbolic anchors. A hanging fabric structure, connected by a pulley system, responds to movement in real time: shapes rise and fall, patterns shift, and the composition is continually rewritten.


&#60;img width="400" height="225" width_o="400" height_o="225" data-src="https://freight.cargo.site/t/original/i/af0810342693e1e992fb28433abe3de1b86fbcf9ea6a77e7b2b3de567d1d76f0/clip-2.gif" data-mid="242071525" border="0" data-scale="100" src="https://freight.cargo.site/w/400/i/af0810342693e1e992fb28433abe3de1b86fbcf9ea6a77e7b2b3de567d1d76f0/clip-2.gif" /&#62;

clip of the film


As the performer engages with the work, they co-create a living spatial poem. Each interaction generates new arrangements, transforming the act of walking into an invitation to perceive, play, and participate. The project seeks to revitalize non-places, spaces often regarded as impersonal or transient, by turning them into sites of reflection and shared experience.


&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/f494d05f39d58bc480989fcff4157daddaa7275e7df3ef595d5fe7de0f4ac0db/Screenshot-2025-11-11-at-16.48.54.png" data-mid="242071128" border="0" data-scale="93" src="https://freight.cargo.site/w/1000/i/f494d05f39d58bc480989fcff4157daddaa7275e7df3ef595d5fe7de0f4ac0db/Screenshot-2025-11-11-at-16.48.54.png" /&#62;


Still image of the film.


I have developed this project with performer Ting-Ning Wen, who brings improvisation and playfulness to the space. With graphic designer Narcis Serrats, video documentation of these sessions has been reimagined as a visual poem/publication, reshaping color and form. Charlotte Upton contributes sound, assigning each color an everyday sonic texture, such as eating biscuits, a bike chain, or scribbling on paper, layered together into a symphonic score.

&#60;img width="508" height="380" width_o="508" height_o="380" data-src="https://freight.cargo.site/t/original/i/dd25002866f3081d2c4d10d5a786d6e2386c1cecfaf23505acab7f1ac6499cac/Untitled.gif" data-mid="242071566" border="0" data-scale="51" src="https://freight.cargo.site/w/508/i/dd25002866f3081d2c4d10d5a786d6e2386c1cecfaf23505acab7f1ac6499cac/Untitled.gif" /&#62;
Sketch

This project frist took shape during lockdown in Taichung, Taiwan back in 2020, and has continued to grow with the support of a Jerwood Artist Development Grant and 101 Outdoor Arts.

Full video HERE

&#60;img width="1198" height="1508" width_o="1198" height_o="1508" data-src="https://freight.cargo.site/t/original/i/49c10949a460541803b56b781fa6f0548bb4e155a080e7644bba9b7ff2de2b60/Screenshot-2025-11-11-at-16.50.31.png" data-mid="242071545" border="0" data-scale="49" src="https://freight.cargo.site/w/1000/i/49c10949a460541803b56b781fa6f0548bb4e155a080e7644bba9b7ff2de2b60/Screenshot-2025-11-11-at-16.50.31.png" /&#62;

Still image of the film.


&#38;nbsp;&#38;nbsp;
	
	
</description>
		
	</item>
		
		
	<item>
		<title>Bare Things</title>
				
		<link>https://pepperchilee.co.uk/Bare-Things</link>

		<pubDate>Thu, 13 Nov 2025 09:38:09 +0000</pubDate>

		<dc:creator>studiopepperchilee</dc:creator>

		<guid isPermaLink="true">https://pepperchilee.co.uk/Bare-Things</guid>

		<description>
	
	
	&#60;img width="3000" height="2400" width_o="3000" height_o="2400" data-src="https://freight.cargo.site/t/original/i/e78a4f069c6e946c4c10e86547225d4a5390779aa47cd97d5e73a9d7c976517f/Bare-Things--Luke-O-Donovan-mid-res-9-of-11.jpg" data-mid="240594304" border="0"  src="https://freight.cargo.site/w/1000/i/e78a4f069c6e946c4c10e86547225d4a5390779aa47cd97d5e73a9d7c976517f/Bare-Things--Luke-O-Donovan-mid-res-9-of-11.jpg" /&#62;
photo by&#38;nbsp;Luke O'Donovan
	

discipline

Public Installation
material

Concrete
dimensionL 1.5m x W 0.9m x H 1.05m

location
London, UK
year
2025
sponsor and support by
&#60;img width="999" height="305" width_o="999" height_o="305" data-src="https://freight.cargo.site/t/original/i/5b6b9bf341e6880b181dcae87cc38b6223865be014fb7a1e77932b32d5541087/Screenshot-2025-04-02-at-13.57.20-2.png" data-mid="240603036" border="0"  src="https://freight.cargo.site/w/999/i/5b6b9bf341e6880b181dcae87cc38b6223865be014fb7a1e77932b32d5541087/Screenshot-2025-04-02-at-13.57.20-2.png" /&#62;

&#60;img width="322" height="224" width_o="322" height_o="224" data-src="https://freight.cargo.site/t/original/i/16624e31aae647028ea3de84a847ac3206243bca780d51b055e3afb673216758/Screenshot-2025-11-13-at-13.06.42.png" data-mid="240603050" border="0" data-scale="77" src="https://freight.cargo.site/w/322/i/16624e31aae647028ea3de84a847ac3206243bca780d51b055e3afb673216758/Screenshot-2025-11-13-at-13.06.42.png" /&#62;
&#60;img width="1921" height="509" width_o="1921" height_o="509" data-src="https://freight.cargo.site/t/original/i/c8826ce215add47b36eec70d690dd1ee06bdd3b109be6b279ce87be29f0e1970/Seddons.png" data-mid="240603073" border="0"  src="https://freight.cargo.site/w/1000/i/c8826ce215add47b36eec70d690dd1ee06bdd3b109be6b279ce87be29f0e1970/Seddons.png" /&#62;

	Bare Things
“How much better is silence; the coffee cup, the table. How much better to sit by myself like the solitary sea-bird that opens its wings on the stake. Let me sit here forever with bare things, this coffee cup, this knife, this fork, things in themselves, myself being myself.” &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; - Virginia Woolf, The Waves

“Bare Things” is a seat installation by Pei-Chi Lee &#38;amp; Asia Zwierzchowska, inviting passersby to reflect, play, and pause in Fitzrovia, central London.
&#60;img width="4472" height="2981" width_o="4472" height_o="2981" data-src="https://freight.cargo.site/t/original/i/df8c71e0b7445e22a856edfef06938e357b65632c6a3ed93d283ea17b92cf809/MWPV-3141.jpg" data-mid="240594327" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/df8c71e0b7445e22a856edfef06938e357b65632c6a3ed93d283ea17b92cf809/MWPV-3141.jpg" /&#62;

Inspired by Virginia Woolf’s evocative words in The Waves, this bench is designed as a space for reflection and connection, honouring her introspection and her time in Fitzrovia, London - a neighbourhood she once called home, where her creative spirit flourished.
The bench embodies duality, offering intimate spaces for personal reflection while remaining open to playful interaction. Users are invited to sit, lean, or climb, capturing a balance between stillness and movement.


&#60;img width="1545" height="1368" width_o="1545" height_o="1368" data-src="https://freight.cargo.site/t/original/i/f59e5eac448fa25ccce96c7f0c0cce930bd44febd952e017e968d967f2f0954d/front.png" data-mid="240594647" border="0" data-scale="27" src="https://freight.cargo.site/w/1000/i/f59e5eac448fa25ccce96c7f0c0cce930bd44febd952e017e968d967f2f0954d/front.png" /&#62;
The process of making the Bare Things bench was hands-on and material-led.The bench was designed for easy assembly using three prefabricated components: the footings, the seat, and the backrests.&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/40ec34f80b044ea4b4d230dcf6791858d0414a8b129084f14f15dd574d251e95/DSC08805.JPG" data-mid="240600269" border="0" data-scale="90" src="https://freight.cargo.site/w/1000/i/40ec34f80b044ea4b4d230dcf6791858d0414a8b129084f14f15dd574d251e95/DSC08805.JPG" /&#62;

The footings are clad in concrete tiles, each cast with different patterns and shapes. The seat is made from a concrete cast filled with marble offcuts, along with bespoke marble forks and knives. The backrests - shaped like a seabird and a cup - use textured cement with subtle colour highlights throughout.


&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/21a49ad5bb478f72d51a2bca67ac1d939452ed149a31fe137211eaed959645d6/Bare-Things--Luke-O-Donovan-mid-res-2-of-11.jpg" data-mid="240594596" border="0"  src="https://freight.cargo.site/w/1000/i/21a49ad5bb478f72d51a2bca67ac1d939452ed149a31fe137211eaed959645d6/Bare-Things--Luke-O-Donovan-mid-res-2-of-11.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/69499f21645301f68871cfd57788e1084c3bf948c6a9b79ba7132ff087c9b466/Bare-Things--Luke-O-Donovan-mid-res-7-of-11.jpg" data-mid="240594539" border="0"  src="https://freight.cargo.site/w/1000/i/69499f21645301f68871cfd57788e1084c3bf948c6a9b79ba7132ff087c9b466/Bare-Things--Luke-O-Donovan-mid-res-7-of-11.jpg" /&#62;
&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/6c2c128dad994d0e78d0649eade0060585b72fc7bced030cc72d07e2e0d1a2d0/Bare-Things--Luke-O-Donovan-mid-res-10-of-11.jpg" data-mid="240594600" border="0"  src="https://freight.cargo.site/w/1000/i/6c2c128dad994d0e78d0649eade0060585b72fc7bced030cc72d07e2e0d1a2d0/Bare-Things--Luke-O-Donovan-mid-res-10-of-11.jpg" /&#62;
&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/eb05fa4af1bf346da7182f8b89083029c290f5ab14e7daad0764e1b8be5c6565/Bare-Things--Luke-O-Donovan-mid-res-8-of-11.jpg" data-mid="240594599" border="0"  src="https://freight.cargo.site/w/1000/i/eb05fa4af1bf346da7182f8b89083029c290f5ab14e7daad0764e1b8be5c6565/Bare-Things--Luke-O-Donovan-mid-res-8-of-11.jpg" /&#62;
&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/b8f7fdc25286070270a3f7e793fb1b4dd71f199f6b4c7db8650a9229b70a0807/Bare-Things--Luke-O-Donovan-mid-res-1-of-11.jpg" data-mid="240594595" border="0"  src="https://freight.cargo.site/w/1000/i/b8f7fdc25286070270a3f7e793fb1b4dd71f199f6b4c7db8650a9229b70a0807/Bare-Things--Luke-O-Donovan-mid-res-1-of-11.jpg" /&#62;
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b1180e6bb1d34f99b0151867b52a2a577f46418669cccc9c81df2a2d71debb79/Bare-Things--Luke-O-Donovan-mid-res-6-of-11.jpg" data-mid="240594555" border="0"  src="https://freight.cargo.site/w/1000/i/b1180e6bb1d34f99b0151867b52a2a577f46418669cccc9c81df2a2d71debb79/Bare-Things--Luke-O-Donovan-mid-res-6-of-11.jpg" /&#62;
&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/4a8812784ad7af2ca8b163e20c9d35f2836d53db802a16b309c08c661116c352/Bare-Things--Luke-O-Donovan-mid-res-5-of-11.jpg" data-mid="240594598" border="0"  src="https://freight.cargo.site/w/1000/i/4a8812784ad7af2ca8b163e20c9d35f2836d53db802a16b309c08c661116c352/Bare-Things--Luke-O-Donovan-mid-res-5-of-11.jpg" /&#62;
&#60;img width="2400" height="3000" width_o="2400" height_o="3000" data-src="https://freight.cargo.site/t/original/i/4a8812784ad7af2ca8b163e20c9d35f2836d53db802a16b309c08c661116c352/Bare-Things--Luke-O-Donovan-mid-res-5-of-11.jpg" data-mid="240594598" border="0"  src="https://freight.cargo.site/w/1000/i/4a8812784ad7af2ca8b163e20c9d35f2836d53db802a16b309c08c661116c352/Bare-Things--Luke-O-Donovan-mid-res-5-of-11.jpg" /&#62;


photo by Luke O'Donovan 

The tiles on the footings were created through two community workshops with Fitzrovia Community Centre, using the same quote as a shared theme. Each tile carries a trace of collective hands and conversations, layered responses to belonging, care, and the acts of place-making.
&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/545ad8e1a673500ee1251b3d2223316d29ad841f55d469cad86d6447f4a9f1c4/DSC08790.JPG" data-mid="240601109" border="0"  src="https://freight.cargo.site/w/1000/i/545ad8e1a673500ee1251b3d2223316d29ad841f55d469cad86d6447f4a9f1c4/DSC08790.JPG" /&#62;
&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/ef630ab083f585739a7fda2d820bba955bac384928d06ab208666500dd10e20d/DSC08786.JPG" data-mid="240601104" border="0"  src="https://freight.cargo.site/w/1000/i/ef630ab083f585739a7fda2d820bba955bac384928d06ab208666500dd10e20d/DSC08786.JPG" /&#62;
&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/9b6ece8f1a2b0f039811e381582ac6cf928c9cf98f97999120dc3ad3a2187d08/DSC08783.JPG" data-mid="240601099" border="0"  src="https://freight.cargo.site/w/1000/i/9b6ece8f1a2b0f039811e381582ac6cf928c9cf98f97999120dc3ad3a2187d08/DSC08783.JPG" /&#62;
&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/3abd2fb2ca163042895be9b3a193706e9efb1d318d046ca78ef14521fbfe0b14/DSC08776.JPG" data-mid="240601093" border="0"  src="https://freight.cargo.site/w/1000/i/3abd2fb2ca163042895be9b3a193706e9efb1d318d046ca78ef14521fbfe0b14/DSC08776.JPG" /&#62;
&#60;img width="2832" height="4240" width_o="2832" height_o="4240" data-src="https://freight.cargo.site/t/original/i/92d1d100697480a8e8da167f89df051e20f205739f0059ce1aef96652c2002b3/DSC08768.JPG" data-mid="240601087" border="0"  src="https://freight.cargo.site/w/1000/i/92d1d100697480a8e8da167f89df051e20f205739f0059ce1aef96652c2002b3/DSC08768.JPG" /&#62;
&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/614554b97ba21f9928b6f5f8143ce878790f3bb94fa7093a535140f8bee715c4/DSC08759.JPG" data-mid="240601082" border="0"  src="https://freight.cargo.site/w/1000/i/614554b97ba21f9928b6f5f8143ce878790f3bb94fa7093a535140f8bee715c4/DSC08759.JPG" /&#62;
&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/1897b6828e7c0ee48aa42b971ef144d1bd3664034d6518714289b2b2567b1c16/DSC08749.JPG" data-mid="240601077" border="0"  src="https://freight.cargo.site/w/1000/i/1897b6828e7c0ee48aa42b971ef144d1bd3664034d6518714289b2b2567b1c16/DSC08749.JPG" /&#62;
&#60;img width="2832" height="4240" width_o="2832" height_o="4240" data-src="https://freight.cargo.site/t/original/i/d2a427bc3c0b9be226bb8294cae35f93e5cb6418372ed28f3c0bc4f140d75fa2/DSC08747.JPG" data-mid="240601072" border="0"  src="https://freight.cargo.site/w/1000/i/d2a427bc3c0b9be226bb8294cae35f93e5cb6418372ed28f3c0bc4f140d75fa2/DSC08747.JPG" /&#62;
&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/2c2565e782204280ccca9f6aae5858a3120eca142c5b24fca705361cb13798df/DSC08741.JPG" data-mid="240601067" border="0"  src="https://freight.cargo.site/w/1000/i/2c2565e782204280ccca9f6aae5858a3120eca142c5b24fca705361cb13798df/DSC08741.JPG" /&#62;
&#60;img width="4240" height="2832" width_o="4240" height_o="2832" data-src="https://freight.cargo.site/t/original/i/3cc4fbabcddd527253872b1ecabe50eb32fc05f0cf837dbaaa2734f760bbc222/DSC08779.JPG" data-mid="240600677" border="0"  src="https://freight.cargo.site/w/1000/i/3cc4fbabcddd527253872b1ecabe50eb32fc05f0cf837dbaaa2734f760bbc222/DSC08779.JPG" /&#62;


“Bare Things” is part of the “Fitz and Sits”, and is one of nine benches across Fitzrovia and it’s opened to public for three months from June till end of August 2025. “Fitz and Sits” is a London Festival of Architecture programme and is organised by Fitzrovia Partnership, and kindly sponsored by Seddons GSC.

	
</description>
		
	</item>
		
		
	<item>
		<title>A Seat On Circular Road</title>
				
		<link>https://pepperchilee.co.uk/A-Seat-On-Circular-Road</link>

		<pubDate>Fri, 03 Jan 2025 03:08:18 +0000</pubDate>

		<dc:creator>studiopepperchilee</dc:creator>

		<guid isPermaLink="true">https://pepperchilee.co.uk/A-Seat-On-Circular-Road</guid>

		<description>
	
	
&#60;img width="2524" height="1444" width_o="2524" height_o="1444" data-src="https://freight.cargo.site/t/original/i/619dca6217c71fb90904da607ccd52e5a5b782101cdf8153c2286a0c560dab05/Screenshot-2024-11-26-at-10.25.23.png" data-mid="224155653" border="0"  src="https://freight.cargo.site/w/1000/i/619dca6217c71fb90904da607ccd52e5a5b782101cdf8153c2286a0c560dab05/Screenshot-2024-11-26-at-10.25.23.png" /&#62;
Still image of the film.
	

discipline

Video
material

Video
dimension

18 mins
location
Lahore, Pakistan
year
2024
supported &#38;nbsp;and sponsored by

&#60;img width="648" height="774" width_o="648" height_o="774" data-src="https://freight.cargo.site/t/original/i/593d79940de3c177495b8662717fd08da60252fe0650a6e22b53e8564f022673/divvy-b.png" data-mid="224155537" border="0" data-scale="23" src="https://freight.cargo.site/w/648/i/593d79940de3c177495b8662717fd08da60252fe0650a6e22b53e8564f022673/divvy-b.png" /&#62;


&#60;img width="340" height="93" width_o="340" height_o="93" data-src="https://freight.cargo.site/t/original/i/bc12198ac598cf1a13b84e35589cb0f9f4fef3c234ecaff8b530a310012fab14/delfina-b.png" data-mid="224155538" border="0" data-scale="55" src="https://freight.cargo.site/w/340/i/bc12198ac598cf1a13b84e35589cb0f9f4fef3c234ecaff8b530a310012fab14/delfina-b.png" /&#62;


&#60;img width="1668" height="391" width_o="1668" height_o="391" data-src="https://freight.cargo.site/t/original/i/de86428e83eae7608f7bf4168808867ffb6d517fcc06aea8ce4cae568b114b13/bc-b.png" data-mid="224155539" border="0" data-scale="69" src="https://freight.cargo.site/w/1000/i/de86428e83eae7608f7bf4168808867ffb6d517fcc06aea8ce4cae568b114b13/bc-b.png" /&#62;

	A Seat On Circular Road

A collaboration with Anna Russell.
This film uses the repair of a found broken chair to explore manual labour in Pakistan, where traditional methods and manual skills remain integral to everyday life and industry. It examines the informal, inconsistent systems of measurement often employed in these settings — where a worker’s hand span or length from nose to arm can define a unit, resulting in inevitable variations.

&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/3e9b9bf4578a0602faf69eef211b9ae34840c8524c4d423302d604fd242b3cba/clip2ASOCR-ezgif.com-video-to-gif-converter.gif" data-mid="242249196" border="0" data-scale="93" src="https://freight.cargo.site/w/800/i/3e9b9bf4578a0602faf69eef211b9ae34840c8524c4d423302d604fd242b3cba/clip2ASOCR-ezgif.com-video-to-gif-converter.gif" /&#62;
Clip of the film.
The act of making is central to the project, with the process of measuring becoming a performance in itself. We measure a string&#38;nbsp; using only our bodies — stretching it from one arm to another, from our feet&#38;nbsp; to beyond our heads&#38;nbsp; — evoking the improvisation inherent in manual labour, a common practice in desi1 measurement. The film unfolds in four&#38;nbsp; acts: situating the chair frame on the roof where it was found, cutting the material based on our bodies measurements, weaving the chair, and culminating with our driver, Boota, seated on the finished woven chair, observing the bustling street life around him.

Boota, who drove us throughout Lahore, would patiently sit in his chair, waiting for us when we weren’t on the road. His presence symbolises time and stillness — two themes central to the film. Coming from London, we found Lahore to move at a slower pace. As we worked in the heat, our sense of time gradually shifted to accommodate this new rhythm.


&#60;img width="500" height="281" width_o="500" height_o="281" data-src="https://freight.cargo.site/t/original/i/6b9e0015e4edd8d2642a07bb7bece158cc462a20fc6735c129c052ff1cf0e524/clip3ASOCR-ezgif.com-resize.gif" data-mid="242249201" border="0" data-scale="74" src="https://freight.cargo.site/w/500/i/6b9e0015e4edd8d2642a07bb7bece158cc462a20fc6735c129c052ff1cf0e524/clip3ASOCR-ezgif.com-resize.gif" /&#62;Clip of the film.The editing of the film follows the weaving process. You see us talking, threading, guiding the string&#38;nbsp; through gaps, tying knots, weaving, counting threads, making mistakes, undoing, and trimming. We move around the chair — standing, sitting, and constantly adjusting our positions as we adapt to the motion of the process. The pacing alternates between slow and fast, reflecting the rhythm of the manual labour of weaving . Meanwhile, the audio unfolds its own narrative, running parallel to the visual acts, creating a layered story within the film.

&#60;img width="560" height="315" width_o="560" height_o="315" data-src="https://freight.cargo.site/t/original/i/cb5ae0d8af7779980fead1e578e55140145ae297d7f7159f186174a1ff2bb89b/Clip4ASOCR-ezgif.com-resize.gif" data-mid="242249227" border="0"  src="https://freight.cargo.site/w/560/i/cb5ae0d8af7779980fead1e578e55140145ae297d7f7159f186174a1ff2bb89b/Clip4ASOCR-ezgif.com-resize.gif" /&#62;Clip of the film.
As artists from London on a funded research trip to Lahore, we acknowledge that our weaving process exists in a different context, with different stakes, compared to those in Lahore who weave for their livelihood and are often vulnerable to exploitation.

The film was made at the Barkat Ali Islamia Hall in Lahore’s Old City, a site rich with cultural and historical resonance. Through this film we also seek to reveal the spaces within the building, to create a greater understanding of its form, tectonics, and interconnection to Circular Road. This project was produced during the Divvy Delfina Residency and supported by Foundation Art Divvy, Delfina Foundation, and the British Council. WATCH FULL FILM HERE
1Desi meaning ‘of, from, or characteristic of India, Pakistan, or Bangladesh.’ The term ‘Desi’ is derived from the Sanskrit word ‘Desh’, which means ‘country’. Initially used to signify something ‘from the country’, its meaning has evolved to encompass people, cultures, and products from a specific region. For instance, we now commonly refer to desi food, desi calendars, and desi clothing.
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/852c85ca2ec21f2d99d5ac1217a54423daafab49ea45a5f4218b15fba9a3dcba/C0003T01.JPG" data-mid="224155686" border="0"  src="https://freight.cargo.site/w/1000/i/852c85ca2ec21f2d99d5ac1217a54423daafab49ea45a5f4218b15fba9a3dcba/C0003T01.JPG" /&#62;
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&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/0e12d47ab804731bf11cf6bdda75fe897a35cebc63a35a7170c70f10fdea285b/C0011T01.JPG" data-mid="224155688" border="0"  src="https://freight.cargo.site/w/1000/i/0e12d47ab804731bf11cf6bdda75fe897a35cebc63a35a7170c70f10fdea285b/C0011T01.JPG" /&#62;
&#60;img width="2390" height="1354" width_o="2390" height_o="1354" data-src="https://freight.cargo.site/t/original/i/d7c020567fc49da15ce49fb3e8660dcfe9fd1b9a6e1ce367e90194b1f83271b9/Screenshot-2024-11-26-at-10.21.29.png" data-mid="224155689" border="0"  src="https://freight.cargo.site/w/1000/i/d7c020567fc49da15ce49fb3e8660dcfe9fd1b9a6e1ce367e90194b1f83271b9/Screenshot-2024-11-26-at-10.21.29.png" /&#62;
&#60;img width="2388" height="1354" width_o="2388" height_o="1354" data-src="https://freight.cargo.site/t/original/i/9b9092581db4d49fcef9708d3d775a251300be5ddba7181b46691eac25158ad7/Screenshot-2024-11-26-at-10.24.33.png" data-mid="224155690" border="0"  src="https://freight.cargo.site/w/1000/i/9b9092581db4d49fcef9708d3d775a251300be5ddba7181b46691eac25158ad7/Screenshot-2024-11-26-at-10.24.33.png" /&#62;

Still images of the film.


&#38;nbsp;&#38;nbsp;
	
	
</description>
		
	</item>
		
		
	<item>
		<title>Aggiungi Un Posto A Tavola</title>
				
		<link>https://pepperchilee.co.uk/Aggiungi-Un-Posto-A-Tavola</link>

		<pubDate>Mon, 06 Jan 2025 06:34:32 +0000</pubDate>

		<dc:creator>studiopepperchilee</dc:creator>

		<guid isPermaLink="true">https://pepperchilee.co.uk/Aggiungi-Un-Posto-A-Tavola</guid>

		<description>
	
	
	&#60;img width="5102" height="3401" width_o="5102" height_o="3401" data-src="https://freight.cargo.site/t/original/i/9b46fa3bb6abd6706ef35ff7494a87fcaba6fa679c80a553e764dc4a374dc5e5/ph.-Celia-1.jpeg" data-mid="224204019" border="0"  src="https://freight.cargo.site/w/1000/i/9b46fa3bb6abd6706ef35ff7494a87fcaba6fa679c80a553e764dc4a374dc5e5/ph.-Celia-1.jpeg" /&#62;


discipline

Textiles
material

Textiles
dimensionvariable

location
Milan, Italy
year
2024


	Aggiungi Un Posto A Tavola
“Aggiungi un posto a tavola (Add a seat to the table)” is a fun project that reimagines the traditional apron as a versatile and playful addition to your dining experience. These aprons are not only functional but also serve as a creative tablecloth when joined together. The design features shapes that can be rearranged to create various table configurations, providing flexibility for differ- ent dining setups. Each apron can be purchased individually, allowing for customisation of length and style.


&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/5ebb650f7e3b9d25694f925f6ac08269dfa665c99fbae7c448ef1e741d725875/f7701b83-ebc3-4336-b547-765cb19ff743.JPG" data-mid="224204024" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/5ebb650f7e3b9d25694f925f6ac08269dfa665c99fbae7c448ef1e741d725875/f7701b83-ebc3-4336-b547-765cb19ff743.JPG" /&#62;&#38;nbsp;

Additionally, the quarter-circle shapes can be detached and combined with others to form a complete circle tablecloth, enhanc- ing the adaptability of the collection. With “Aggiungi un posto a tavola,” dining becomes a whimsical and interactiveexperience where every apron adds a seat to the table and invites creativity to the meal.


&#60;img width="3344" height="2342" width_o="3344" height_o="2342" data-src="https://freight.cargo.site/t/original/i/a0b34fbd7c194de215035d7fa3969070b39f9d30a93f17a1b02fd8736adc730b/Aggiungi-un-posto-a-tavola-Add-a-seat-to-the-table-graphic.png" data-mid="224204034" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/a0b34fbd7c194de215035d7fa3969070b39f9d30a93f17a1b02fd8736adc730b/Aggiungi-un-posto-a-tavola-Add-a-seat-to-the-table-graphic.png" /&#62;


The design embraces Italian hospitality and strong family values, embodying the idea that there’s always room for one more at the table. The tablecloth itself is versatile, deconstructing into various shapes to suit different dining setups, and can even be transformed into an apron, merg- ing functionality with the warmth and adaptability of Italian gatherings.

&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/15b04681f7f9f96c460d961ae80477eafab8c227ab5df2fdda081ee9646fecb2/DSCF0381.JPG" data-mid="224204036" border="0"  src="https://freight.cargo.site/w/1000/i/15b04681f7f9f96c460d961ae80477eafab8c227ab5df2fdda081ee9646fecb2/DSCF0381.JPG" /&#62;
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/acb2f3e5d1f6643a980328eba15160a84d8a431c1f31c5ff65478954937c90fc/DSCF0388.JPG" data-mid="224204038" border="0"  src="https://freight.cargo.site/w/1000/i/acb2f3e5d1f6643a980328eba15160a84d8a431c1f31c5ff65478954937c90fc/DSCF0388.JPG" /&#62;
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/bebbba7a32f64463b33e2c32c85175191b961426ce19fe36ab9b6df84c155d22/DSCF0382.JPG" data-mid="224204037" border="0"  src="https://freight.cargo.site/w/1000/i/bebbba7a32f64463b33e2c32c85175191b961426ce19fe36ab9b6df84c155d22/DSCF0382.JPG" /&#62;
&#60;img width="6240" height="4160" width_o="6240" height_o="4160" data-src="https://freight.cargo.site/t/original/i/ba7ec1f4c15351031202a31aa1edeff3ec1706df636f4ad705c085016ace1d43/DSCF0392.JPG" data-mid="224204040" border="0"  src="https://freight.cargo.site/w/1000/i/ba7ec1f4c15351031202a31aa1edeff3ec1706df636f4ad705c085016ace1d43/DSCF0392.JPG" /&#62;

The choice of color and materials is inspired by the Italian countryside, drawing on its earthy tones, natural textures, and warm hues to evoke a sense of rustic charm and authenticity in the design.
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/51f62cbad653dd3ffa5771265dd937eae503743630ef89a2e40790a28778c508/IMG_3256.JPG" data-mid="224204041" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/51f62cbad653dd3ffa5771265dd937eae503743630ef89a2e40790a28778c508/IMG_3256.JPG" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/cabb6e2398f9411b7237e0fcca7c96a50e51d9f9c3f4c7a48f1fe7502a374b94/IMG_3258.JPG" data-mid="224204042" border="0" data-scale="43" src="https://freight.cargo.site/w/1000/i/cabb6e2398f9411b7237e0fcca7c96a50e51d9f9c3f4c7a48f1fe7502a374b94/IMG_3258.JPG" /&#62;


The piece was part of the exhibition “Sit.Feast“ and was showing at Milan Design Week 2024 at Dopo Space.

“Sit, Feast On Your Life” is a hybrid installation-roundtable-dinner party. Featuring works from over 50 international creatives on a bespoke 10m-long table designed and handcrafted by Felix Pöettinger x EHAM, it explores the power of designed objects as a social binding force through exchanging ideas, sharing food, playing games and music.


&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/00b284bb6d0b7ba943e494f70b7c9ef457825d34282ae79316387397e42b5780/4ab90cdd-1a99-4cd5-a7fb-54c4b3b24155.JPG" data-mid="224204045" border="0"  src="https://freight.cargo.site/w/1000/i/00b284bb6d0b7ba943e494f70b7c9ef457825d34282ae79316387397e42b5780/4ab90cdd-1a99-4cd5-a7fb-54c4b3b24155.JPG" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/7190867fea9ff9dc62a8c8ac176f05341cb27cd17e92ee7f8165cf595e088c1e/25cd145d-5dd7-493f-84ab-676509525f5f.JPG" data-mid="224204046" border="0"  src="https://freight.cargo.site/w/1000/i/7190867fea9ff9dc62a8c8ac176f05341cb27cd17e92ee7f8165cf595e088c1e/25cd145d-5dd7-493f-84ab-676509525f5f.JPG" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/8f9e55389a4c55c43018e9b4a4734de07ce63538ab2450295b74a9cc9c0f79e6/119fd95d-bcea-4e0a-b48c-df988d333373.JPG" data-mid="224204047" border="0"  src="https://freight.cargo.site/w/1000/i/8f9e55389a4c55c43018e9b4a4734de07ce63538ab2450295b74a9cc9c0f79e6/119fd95d-bcea-4e0a-b48c-df988d333373.JPG" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/be8852475a1f20f5300de66f4faf1880ac67dfb20fe9e73f0a8698ba440dff71/916bc32d-f6f6-4a7e-863a-8035f8bcc368.JPG" data-mid="224204048" border="0"  src="https://freight.cargo.site/w/1000/i/be8852475a1f20f5300de66f4faf1880ac67dfb20fe9e73f0a8698ba440dff71/916bc32d-f6f6-4a7e-863a-8035f8bcc368.JPG" /&#62;
&#60;img width="5693" height="3796" width_o="5693" height_o="3796" data-src="https://freight.cargo.site/t/original/i/4ecd0e4261560e9ada62c2662801f442686520e8a4137e5396ddd432c0cc5cd3/SitFeast_01.jpg" data-mid="224204049" border="0"  src="https://freight.cargo.site/w/1000/i/4ecd0e4261560e9ada62c2662801f442686520e8a4137e5396ddd432c0cc5cd3/SitFeast_01.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>The Brilliant Shadow of The Canopy</title>
				
		<link>https://pepperchilee.co.uk/The-Brilliant-Shadow-of-The-Canopy</link>

		<pubDate>Mon, 21 Feb 2022 17:16:10 +0000</pubDate>

		<dc:creator>studiopepperchilee</dc:creator>

		<guid isPermaLink="true">https://pepperchilee.co.uk/The-Brilliant-Shadow-of-The-Canopy</guid>

		<description>
	
	&#60;img width="5091" height="6364" width_o="5091" height_o="6364" data-src="https://freight.cargo.site/t/original/i/66353f19e0250dbb0bb6b88095f93a315af685bfba84e9f3750230cfcca0f179/Pei-Chi-x2.jpg" data-mid="224204290" border="0" data-scale="57" src="https://freight.cargo.site/w/1000/i/66353f19e0250dbb0bb6b88095f93a315af685bfba84e9f3750230cfcca0f179/Pei-Chi-x2.jpg" /&#62;

	
discipline

photography
material

Textiles
dimension

Dimension Variable
location
London, UK
year
2022
supported by
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/921163453f7d575792cfc8ac9d300161035af3aa4adad8281781b5a6305ff29d/Marie-Claire-Logo.png" data-mid="224204283" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/921163453f7d575792cfc8ac9d300161035af3aa4adad8281781b5a6305ff29d/Marie-Claire-Logo.png" /&#62;


	The Brilliant Shadow Of The Canopy
Fun collaboration with photographer/ film maker&#38;nbsp;Can Köroğlu (@cankoroglu) for marie claire Taiwan October Special Report - “Body Talk” .
Developed from the recent installation piece ‘The Brilliant Shadow Of The Canopy’, we explore the concept of ‘How culture and infrastructure shape our behaviour and body language’The series is published in Marie Claire October Issue - Special Report in 2022, the full interview is also available here (in mandarin)


&#60;img width="3137" height="3921" width_o="3137" height_o="3921" data-src="https://freight.cargo.site/t/original/i/c0caabcfb0eff58f1f398be9ecde3046513e55c0641be2a154d93db951cfa271/Pei-Chi2_bw.jpg" data-mid="224204327" border="0"  src="https://freight.cargo.site/w/1000/i/c0caabcfb0eff58f1f398be9ecde3046513e55c0641be2a154d93db951cfa271/Pei-Chi2_bw.jpg" /&#62;
&#60;img width="3082" height="3853" width_o="3082" height_o="3853" data-src="https://freight.cargo.site/t/original/i/a7994deecf0f89806aaabd0a53e76a888890f4d67319fe3493bfc4fa1567fda4/Pei-Chi3_bw.jpg" data-mid="224204328" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/a7994deecf0f89806aaabd0a53e76a888890f4d67319fe3493bfc4fa1567fda4/Pei-Chi3_bw.jpg" /&#62;
&#60;img width="4570" height="5713" width_o="4570" height_o="5713" data-src="https://freight.cargo.site/t/original/i/ee4e08f6c2c3a3388a30e7804be8928ec07b920236cf6924b47448f2e7ba729a/Pei-Chi4_bw.jpg" data-mid="224204329" border="0"  src="https://freight.cargo.site/w/1000/i/ee4e08f6c2c3a3388a30e7804be8928ec07b920236cf6924b47448f2e7ba729a/Pei-Chi4_bw.jpg" /&#62;
&#60;img width="4881" height="6101" width_o="4881" height_o="6101" data-src="https://freight.cargo.site/t/original/i/03ac4c0f7b863e7c03cd6528cd4e431548f3ebaae60a7dca3d1a45d5e07c42fc/Pei-Chi1_bw.jpg" data-mid="224204326" border="0"  src="https://freight.cargo.site/w/1000/i/03ac4c0f7b863e7c03cd6528cd4e431548f3ebaae60a7dca3d1a45d5e07c42fc/Pei-Chi1_bw.jpg" /&#62;
&#60;img width="4702" height="5878" width_o="4702" height_o="5878" data-src="https://freight.cargo.site/t/original/i/986a2906fc7127387e3ba48be47ad6ec1cd89b829358e0271254f724aec1143d/Pei-Chi5_bw.jpg" data-mid="224204330" border="0"  src="https://freight.cargo.site/w/1000/i/986a2906fc7127387e3ba48be47ad6ec1cd89b829358e0271254f724aec1143d/Pei-Chi5_bw.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Where The Lost Things Go</title>
				
		<link>https://pepperchilee.co.uk/Where-The-Lost-Things-Go</link>

		<pubDate>Sun, 18 Dec 2022 21:58:37 +0000</pubDate>

		<dc:creator>studiopepperchilee</dc:creator>

		<guid isPermaLink="true">https://pepperchilee.co.uk/Where-The-Lost-Things-Go</guid>

		<description>
	
	&#60;img width="4416" height="2944" width_o="4416" height_o="2944" data-src="https://freight.cargo.site/t/original/i/300d028a8563228184eea1f58defcf549aa6bdd72fc7cc3824935bf1a0f32e66/DSCF2909.JPG" data-mid="166469494" border="0"  src="https://freight.cargo.site/w/1000/i/300d028a8563228184eea1f58defcf549aa6bdd72fc7cc3824935bf1a0f32e66/DSCF2909.JPG" /&#62;


discipline

Sculpture
material

Concrete&#38;nbsp;
dimension

Dimension Variable
location
London, UK
year
2022
supported by


&#60;img width="600" height="150" width_o="600" height_o="150" data-src="https://freight.cargo.site/t/original/i/fb689aa9dd745a17e6008c7c5496b0a32d12686cef0641868902242a7f3eae50/getlogo.png" data-mid="224286896" border="0" data-scale="79" src="https://freight.cargo.site/w/600/i/fb689aa9dd745a17e6008c7c5496b0a32d12686cef0641868902242a7f3eae50/getlogo.png" /&#62;


	Where The Lost Things Go

“I gave each spot a meaning, and as I populated it with the things I have been given to remember, the cell began to grow'. — &#38;lt;Memory Palace&#38;gt; Hari Kunzru

Where The Lost Things Go is Pei-Chi Lee’s first solo exhibition in London. As the result of the Batch.Space’s ChangeMaker Residency&#38;nbsp; – a young creative community in the heart of East London – the artist unveils an immersive display of self-discovery. From a playful perspective, the artwork is a tangible representation of navigating transitory moments. 


&#60;img width="2944" height="4416" width_o="2944" height_o="4416" data-src="https://freight.cargo.site/t/original/i/ab5503535be7d1628b3e09abecaaf4bbd31f9a2586f33b219cb696e833a662c5/DSCF2918.JPG" data-mid="166469516" border="0" data-scale="44" src="https://freight.cargo.site/w/1000/i/ab5503535be7d1628b3e09abecaaf4bbd31f9a2586f33b219cb696e833a662c5/DSCF2918.JPG" /&#62;
Using the technique of engraving on hand-made concrete pavements, the installation is both a physical and metaphorical manifesto of the concept of non-place.&#38;nbsp; 

Non-place, a term coined by the anthropologist Marc Augé to describe those places of transience that are not important enough to be considered as 'places', and where human-being stay nameless. Lee interprets this term into the diagram below: 

Location&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Location

Place&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;(non-place) &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;Place

A&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; -------------------&#38;gt; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; B

Mental State &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Mental State 

Time &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Time

In the age of uncertainty where everything is in flux , Where The Lost Things Go wants to preserve a moment in&#38;nbsp; time and a ‘moment in mind’. The work celebrates, or mourns, nameless progress and transitory moments we unconsciously go through. From repetitive commutes and endless experiments that seem unfruitful to fading romances, these instances are both intimate and public. We share them individually and collectively. 


&#60;img width="4416" height="2944" width_o="4416" height_o="2944" data-src="https://freight.cargo.site/t/original/i/b988bd3934b34767f57620079ae5278b979c966d63fd8ee5dffe64a9da56f5ae/DSCF2939.JPG" data-mid="166469528" border="0"  src="https://freight.cargo.site/w/1000/i/b988bd3934b34767f57620079ae5278b979c966d63fd8ee5dffe64a9da56f5ae/DSCF2939.JPG" /&#62;

In this work, Lee uses aggregates that were made from segmented failure samples, and stones that she collected on her way to the studio from home as the concrete base. Mixed into cement and cast&#38;nbsp; into moulds that form ‘picture slabs’. The slabs are the collective stories, built from interviews of people’s experiences with “Non-Place” then&#38;nbsp; threaded&#38;nbsp; into a storyline. Lee turns the making process into an act of documentation, a practice of being present and a performance that interrogates toxic productivity. 

While the concrete slabs are arranged coordinately to the floor, the graphics images become a continuous story that can be interpreted individually and collectively - It’s solid, it’s quiet, it’s still nameless, but yet it’s there.

&#60;img width="4416" height="2944" width_o="4416" height_o="2944" data-src="https://freight.cargo.site/t/original/i/6d58e847c6d9ed1e84a89b9fe244197ea4c3f52562d8904e31032b66e74b23df/DSCF2935.JPG" data-mid="166469566" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/6d58e847c6d9ed1e84a89b9fe244197ea4c3f52562d8904e31032b66e74b23df/DSCF2935.JPG" /&#62;


&#60;img width="4416" height="2944" width_o="4416" height_o="2944" data-src="https://freight.cargo.site/t/original/i/345a9cfef48f7ca056b4b60f9f1c0262a6247aa47d068a575c436a4f8309d0b4/DSCF2941.JPG" data-mid="166469574" border="0"  src="https://freight.cargo.site/w/1000/i/345a9cfef48f7ca056b4b60f9f1c0262a6247aa47d068a575c436a4f8309d0b4/DSCF2941.JPG" /&#62;


	&#38;nbsp; &#38;nbsp;&#38;nbsp;


&#38;nbsp;&#38;nbsp;
	

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&#38;nbsp;&#38;nbsp;


&#38;nbsp; &#38;nbsp; &#38;nbsp;


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&#38;nbsp;&#38;nbsp;


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